Caroline Starr Rose

picture book and middle-grade author

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Why We Read

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Books are the carriers of civilization. Without books, history is silent, literature dumb, science crippled, thought and speculation at a standstill. Without books, the development of civilization would have been impossible. They are engines of change (as the poet said), windows on the world and lighthouses erected in the sea of time. They are companions, teachers, magicians, bankers of the treasures of the mind. Books are humanity in print.
— Barbara Tuchman

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Reading and Writing Links

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Wonderful to see May B. included here!
35 Middle-Grade Books with Neurodivergent Characters :: Afoma Umesi

“A lightbulb went off for the 28-year-old, who grew up surrounded by horses on her family farm. Gooch established Saddle Up and Read that year with the mission to get more books to kids, using her childhood horse, Goat, as the magnet to draw kids into her book drives.”
This woman is mending the literacy gap with the help of a horse named Goat :: 19th News

“A recent column in the Washington Post titled Will my grandkids still love me if I buy them nonfiction? by Jay Mathews immediately caught our attention. As nonfiction writers for young readers, we were dismayed—though not surprised—by Mathews’s assumption that ‘the books students choose to read are almost always fiction.’ We frequently encounter adults who mistakenly believe that children think ‘Textbooks. Ugh,’ as he writes, when they hear ‘nonfiction.’”
Hey, Grownups! Kids Really Do Like Nonfiction :: Publisher’s Weekly

“What I’m seeing here? A lot of encouragement and perseverance. While it’s true that approximately 20% ended up landing an agent or publishing their first manuscripts, between 38 and 43% of writers ended up breaking through on their 5th through 9th manuscript, or even their tenth+ manuscript! That’s the majority of responders to the survey.”
How to Write a Manuscript that Succeeds :: KidLit.com

“But how, exactly, do you keep readers on the edge of their seat when there’s a gap of days or weeks between one letter and the next? When the characters are sequestered in their far-flung corners of the world, never close enough to swing a fist or bestow a kiss, how do you create any real tension between them?”
All Epistolary Novels are Mysteries :: Crime Reads

“Expanding your reading outside of what you write or work on also expands your mind into thinking in different ways. It’s growth and it’s vital to career success.”
Read Widely, It’s Vital to Your Career :: Book Ends Literary

A few in honor of Norton Juster, author of The Phantom Tollbooth

Thank you, Norton Juster, for creating the best middle grade book that ever was. You will be missed!
Obituary: Norton Juster :: Publisher’s Weekly

“I like to think of myself as indifferent to celebrity; nevertheless, awe strikes now and then. Once, it hit when I got to interview Norton Juster, the author of The Phantom Tollbooth, who died Monday at the age of 91. He was short and round and jolly and clever and kind—exactly the person my child self, for whom Phantom was an adored book, would have wanted him to be. My adult self, who knew all too well how seldom meetings with the authors of beloved books live up to expectations, was dazzled.”
Six Things All Writers Can Learn from The Phantom Tollbooth :: Slate

“A poem by Jane Yolen in remembrance of her friend Norton Juster (1929-2021).”
Norton Passes Go :: The HornBook

 

 

 

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Dear Beverly Cleary

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I knew this day was coming. You’d made it to 104. But when I heard Friday that you’d passed away, I still wasn’t ready for it. You taught me so much about being a kid. You helped me become an avid reader. Somehow, though I’m not sure how it’s possible, I’ve come to love your books even more as a grown-up. All of them are perfectly perfect, but your Ramona books stole my heart.

Ramona, who feels like a pesky-kid sister, the neighborhood kid, our very selves in her understanding of the world, in her need to be heard, her playful curiosity, those impulsive decisions (who can forget the temptation of pulling Susan’s curls?), that wild joy (Halloween!). We love her because we were her once — silly and bold and in need of compassion. Because that was your genius: You never shied away from childhood’s awkward and even painful moments — the embarrassment of throwing up in class, that feeling of being misunderstood (and kicking the walls in frustration). Though you wrote with humor, you never poked fun at Ramona’s earnestness — naming her doll Chevrolet, the most beautiful name she’d ever heard, or her demand from the top of the jungle gym “I want some P.T.A!” (Believing it had to be something tasty since things like c-h-i-p-s and c-o-o-k-i-e-s were always spelled out at home.) In taking your readers through Ramona’s world, close-to-the-bone and through-her-eyes true, we lived right alongside her. We love her because you loved her first, a regular girl right there on the page.

Thank you for reminding me what it’s like to be a child in this largely grown-up world. Thank you for teaching me to be patient with my children back in the days they were silly and curious and in need of compassion. (Really, do those days ever end?) Thank you for inspiring me to create characters I hope have an ounce of the humanity you gave your girl. It was comforting knowing you were somewhere out there — a connection to my childhood and my own story world. Now that you’re gone, you will be missed. I’m so glad your stories will carry on.

Thank you, Beverly Cleary, for creating such a memorable, remarkable character, the one-of-a-kind Ramona, the brightest star in middle grade universe. My writing — and living — are better for it.

With gratitude,
Caroline Rose

***

“Ramona stands for empathy in the face of misunderstanding. She reminds us how it was to be a child in a big world, needing to be seen, cared for, and reminded that we belong.”
How Ramona Quimby Helps Kids Make Sense of this Unstable World :: Lit Hub 

“Sixty-five years of illustrations from Beverly Cleary’s beloved books.”
Ramona Quimby: Still Spry at 65 :: Fine Books Magazine

“Two of Ramona’s most prickling fears are impossibly intertwined: first, that her affection for all those most important to her goes unrequited, and second, that she cannot be loved for precisely who she is—impetuous, temperamental, profoundly sensitive, and, yes, a little bit of a show-off. Her fondness, once coaxed, thumps ardently from her staunch and earnest heart.”
How Ramona Quimby Taught a Generation of Girls to Embrace Brashness :: Lit Hub

“Though Ramona isn’t from any one particular time period, she has to feel real at the moment she’s being read, and to do that, even the smallest details have to ring true to her readers. So even though Ramona looks anachronistic in her newer iterations, it’s these very inaccuracies that make her all the more real.”
Ramona Forever :: The Paris Review

“I understood what a children’s book is supposed to be. It’s writing from inside the kid’s world, inside the kid’s perspective, almost from inside the kid’s eyeballs. Beverly Cleary doesn’t tell us what Ramona’s experiencing; she doesn’t separate herself far enough from Ramona to tell us. She doesn’t say “Ramona’s mother would never forget her, but Ramona was worried that she might.” She doesn’t even insert herself into proceedings to say “Ramona thought for a moment that her mother would forget her.” Nope, Beverly Cleary gives the story to Ramona herself to experience, and she does it by withdrawing herself from the equation.”
Ramona Quimby and the Art of Writing from a Kid’s Mind :: Lit Hub



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