Caroline Starr Rose

picture book and middle-grade author

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Classroom Connections: Audacity Jones to the Rescue by Kirby Larson

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age range: 9-12 years
genre: historical fiction; mystery
Kirby Larson’s website

First in a series, Larson’s thriller deftly mixes humor, heart-pounding moments, and a strongly evoked historical setting-it’s truly a story with something for everyone.
—Publishers Weekly, starred review

Newbery Honor author Larson’s series starter is just the ticket for readers who crave adventure and mystery as much as 11-year-old Audacity Jones, an intrepid, well-read, positive-minded orphan. . .[the] story’s themes of trust, friendship, and good manners will resonate with many. Audacity’s charm and smarts make this historical adventure a winner.
— Booklist, starred review

Larson infuses her romp with plenty of humor…Clever, funny, and sweet in equal measures.
—Kirkus Reviews

Readers will cheer Audacity’s ingenuity and bravery as they relish every moment of her adventures. Highly recommended.
—School Library Journal

Amazon Best Historical Fiction for Kids
Amazon Best Book of the Year

For years, Kirby Larson has tirelessly championed authors and their books through interviews on her blog and later on Instagram. It is such a pleasure to be able to return the favor today!

Kirby, please tell us about your book.

AUDACITY JONES TO THE RESCUE combines my love of mysteries with my love of history. It tells the story of an adventurous 11-year-old orphan who, with the help of a rag tag group of friends, thwarts a plan to kidnap President Taft’s niece.

What inspired you to write this story?

Audacity herself! I was minding my own business working hard on the first novel for the Dogs of WWII series, DUKE, when a character tapped on my shoulder. She explained she was an 11-year-old orphan and that, like me, she loved to read adventure stories but what she really wanted was to go on an adventure. I explained politely that I was busy at work on another book and that she should please go away. She did not. In fact, she kept pestering me until I had to set DUKE aside to write twelve pages about her. Her insistence led me to name her Audacity.

The character and setting came together rather quickly but I did not have the key element of a novel – the problem. Luckily, I love reading old newspapers which is where I stumbled on an article from January 1911 reporting that President Taft’s 12-year-old niece Dorothy had been kidnapped. It turned out there was no kidnapping, merely a mix-up over train schedules. But the seed was planted. I was certain that had Dorothy been kidnapped, Audie surely would’ve been the one to rescue her.

Could you share with readers how you conducted your research and / or share a few interesting tidbits about your writing process with this book? (You can re-write to suit your work.)

I am an avid researcher. Give me a dusty old archive and I am one happy writer! For this book, I sought out a recipe for President Taft’s favorite soup (turtle!); I dug up the memoir of the White House housekeeper; I flipped through pages of old photos, letters, maps, and newspaper articles. It is extremely important to me to get as much information as possible so I can move my characters around the stage of their world in a confident and believable manner.

When I wrote my first historical novel, HATTIE BIG SKY, there weren’t as many digitized materials as there are today. I had to travel to Montana (several times) to get the information I needed. With AUDACITY JONES TO THE RESCUE, I could get much of what I wanted from the comfort of my office, but I did travel to DC to spend a few days at the Historical Society there, as well as other places. 

The funniest thing that happened while working on this book was the reply I received to my request for blueprints of the White House basement. It was briskly explained to me that such materials are not made available! I can only imagine what list I’m on now for asking that question as I did not think to clarify that I was looking for plans from 1910.  

What are some special challenges associated with writing historical fiction?

One of the reasons I spend so much time conducting research is that I feel a huge responsibility to my young readers; I can’t let them down. And I believe that if I am knowledgeable about a past time and place, my readers will sense that and feel comfortable going along with my character on her journey. That being said, I have a trusted friend read my early drafts because I don’t want to bore my reader with each and every fascinating detail I’ve uncovered! I try very hard to remind myself that I am a storyteller first and foremost, not a textbook writer. No matter the genre, a writer can generally engage a reader by creating an intriguing character and giving her a larger-than-life problem to wrestle with. I’ve also learned that by including a cat (Miniver, in Audie’s case) or a dog (in the case of the Dogs of WWII series), I can hook a history-averse reader into reading one of my books.

What topics does your book touch upon that would make it a perfect fit for the classroom?

Though I think of Audie’s story as a romp – a book to read for a rollicking good time – it’s a great fit for classrooms because it takes readers back to our nation’s capital in the early part of the 20th century. There is not only information about the city at that time, there’s information about the White House and those who worked there. I can imagine that the story would provoke discussion about what kind of information to trust, how things have changed for children and other groups since 1910, and it may even correct some myths about President Taft who, according to my research, never did get stuck in a bathtub.

Be sure to look for the sequel, Audacity Jones Steals the Show.

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Filed Under: authors, books and reading, classroom connections, historical fiction, teaching, the writing life

Classroom Connections: The Unforgettable Logan Foster by Shawn Peters

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age range: 9-12 years
genre: superhero fantasy
topics: neurodivergence, family, community
Shawn M. Peter’s website

Peters folds laughs and action aplenty into a winning series opener that features both a ka-pow! premise and a particularly memorable addition to the recent uptick of neurodivergent narrators. ‘That,’ to quote Logan’s mantra, ‘is a fact.’
— Booklist, starred review

An engaging superhero story with the message that, sometimes, not fitting in and seeing the world differently are gifts that just might help save the planet.
— School Library Journal

The Unforgettable Logan Foster #1 is a superb, fast-paced superhero fantasy about identity, self-worth, and finding community. I’m glad that this is the first in a series of books, and I’m sure that readers who enjoy superhero books and films will LOVE this one. It’s also fantastic on audio and showcases foster care in a positive light while highlighting the challenges some kids (especially those of certain races or with a disability) face. Overall, a brilliant debut.
— Reading Middle Grade

This is a book every kid can enjoy.
— Paw Prints in the Sink

Please tell us about your books.

My debut Middle Grade adventure series starts with THE UNFORGETTABLE LOGAN FOSTER, where a twelve-year-old neurodivergent orphan with a photographic memory is fostered by a nice couple, named Gil and Margie, who are clearly hiding something. Logan isn’t bothered by this and figures it’ll probably mean another failed placement. But instead, he discovers that his foster folks are actually superheroes, and that a lot of the stuff he’s read in comic books and seen in movies is real. Then, he and his new best friend, Elena, find themselves in the middle of having to try and rescue his foster parents from an immortal villainess named Necros. 

Without spoiling too much, the sequel is THE UNFORGETTABLE LOGAN FOSTER AND THE SHADOW OF DOUBT, and it takes place just a few weeks after the first book ends, as Logan starts to learn what it really means to part of a family, all while having to worry that Necros is still looking for him because of some sensitive information he has stored in his one-in-a-billion brain.

There is a lot of action in both books and a lot of heart. I’ve been fortunate to get to talk to thousands of kids at this point, and I know that these stories and characters mean a lot to some kids who don’t usually get to see themselves reflected in the main characters of superhero content. 

What inspired you to write this story?

When my kids were middle grade readers, I loved reading to them at night, and I discovered that the stories for this age group still had a huge space in my heart. They felt cinematic and relatable. I wanted to try writing one for them, and as a kid who adored comic books growing up, I felt like a superhero family story would be fun. At the same time, I was doing a lot of coaching of youth sports and activities, and my wife is a teacher, so she was coming home with stories of kids with Asperger’s Syndrome (which has since been redefined as Autism Spectrum Disorder) who were these smart, funny, interesting kids who weren’t always appreciated. I knew kids like this too, including my best friend’s son, and somehow the two ideas of a superhero family and a special kid who was tired of being made to feel “not normal” came together. 

That’s when Logan was born. I wanted him to get to be the least powerful person in his new household, but still get to be a hero. And I wanted him to know what if also felt like to be the most “typical” person in his family, just by virtue of being human instead of superhuman.

Could you share with readers how you conducted your research and share a few interesting tidbits about your writing process with these books? 

There were two types of research I had to do for this series. The first was a whole lotta Googling, because Logan has an eidetic memory and a penchant for going down rabbit holes and retaining whatever he finds. So, in every chapter, there are details of books or plays or scientific papers Logan’s read or movies he’s seen or factoids he’s come across, and I had to look up every one of those. My search history is like the ravings of a madman; scenes from “Annie” on one day, the number of heat-resistant tiles on the space shuttle another, and the latest theories behind the lost English colony on Roanoke Island, Virginia the next. I can’t come close to remembering them all, but Logan can.

The other research was around trying to portray Logan’s neurodivergence in an honest way. It’s a spectrum, so no one character can reflect more than one point on it. But I worked hard to draw from non-fictional sources exclusively, from talking to kids I knew personally, teachers like my wife and other professionals who have taught kids like Logan and articles about specific symptoms like sensory processing issues and Alexithymia, which is the inability to identify and name emotions. My editor also put me in touch with an autistic sensitivity reader who is a talented author as well, and they helped me steer the character toward better representation. I won’t fool myself into believing I got everything right, but seeing how autistic kids react to Logan’s story at school visits has been my favorite part of this past year’s journey.

What are some special challenges associated with writing about superheroes, a genre your readers probably are already very familiar with?

I love superheroes and comic books and adore writing about them, so the fun of it definitely outweighs the challenges. But at the same time, we now have more than a century of comics and superheroes under our belt as a culture, which means the biggest challenge is being original. It’s unlikely I can make up a superpower that hasn’t already been seen, so instead, my job is to create more fleshed out characters who happen to have a certain collection of powers that connect with who they are. For example, Margie, aka Quicksilver Siren, is Logan’s foster mom. She has hidden metallic skin, the ability to do some light mind control and is super strong. None of those traits is brand new to superheroes, but together, they make her both a cool hero and a super-mom. I mean, she’s literally got “thick skin,” can convince people to do the right thing and she’s built to stand up for her child. Of course, there’s also a much more concrete challenge, which is naming superheroes and super-villains. All the best names have been taken at this point, so you gotta get really clever with your ideas and your spelling.

What topics does your book touch upon that would make it a perfect fit for the classroom?

The message that Logan, and every other kid, deserves to feel like the hero of their own story is central to the books, and I feel like that’s a great place for teachers to start. Most kids don’t feel particularly powerful when compared to the world around them, but knowing that they can still be the “main character” and a hero is empowering. 

Another theme is around Logan finally being accepted as he is by his new family and friends. When I have visited schools, the discussion around Logan being neurodivergent always opens up doors of empathy and curiosity. It’s a term most kids in elementary or middle school haven’t heard, but when you explain to them that it means someone whose brain processes information differently than the majority of people, they get it. And once you talk about the specific terms like autism, dyslexia, ADHD and others, they all realize just how many people they know who are neurodivergent, and the book becomes a mirror for those kids, but also a window for the neurotypical students as well. 

The Unforgettable Logan Foster series also touches on the idea of social responsibility and The Bystander Effect, where there is a diffusion of responsibility when people expect someone else to step in and do the right thing. In my books, it’s explained on the grandest scale, where the question is how humanity would react if they knew there were superheroes protecting them. But in a classroom, it’s a wonderful onramp to talk about kids taking accountability for how they want to treat each other. 

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Classroom Connections: This Joy! by Shelley Johannes

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age range: 4-8 years
format: picture book
website for Shelley Johannes

A huge dose of joy and a clear reminder to celebrate each day and each other.
―Kirkus Reviews

A wonderful reflection on enjoying the amazing world and people around us, this book will have readers young and old smiling in recognition.
— School Library Journal

Please tell us about your book.

THIS JOY! is my second author-illustrator picture book, and it’s as joyful as its name implies! It’s a book about a young child who attempts to measure the size of her joy and the depth of her gratitude as she bubbles up with happiness throughout the day. Have you ever felt so alive you wanted to hug the whole world, but your arms weren’t big enough? Have you ever wanted to throw your arms around the treetops, but your tiptoes weren’t tall enough? THIS JOY! explores big feelings and unbridled joy—and finding a way to enthusiastically embrace the gifts each day brings our way.

What inspired you to write this story?

THIS JOY! was inspired by a moment of overwhelming gratitude in my own life. I was heading to my favorite art store to gather supplies to begin the final artwork for my first picture book, MORE THAN SUNNY, when I was overcome by the beauty of the day and the gravity of the dream-come-true moment. I felt so grateful to be alive and doing what I love. Driving down the road, I pictured myself in a field with arms wide open, wanting to embrace the whole world and all its goodness, but found that my arms weren’t big enough to hold it all, and that words weren’t adequate to express the abundance of gratitude in my heart. The only solution was to make a book about it.

It’s often said that art begets art—in this case, it literally did. The joy of working on my first picture book immediately sparked my second one. 

Could you share with readers a bit about your writing process for this book?

My creative process is messy and intuitive, working in words and images simultaneously. The first half of the book solidified pretty quickly after that inspirational car ride, but finding my way into the second half took lots of searching, trial-and-error, and play. I was fully immersed in the process early in 2020, which was a perfect time to be pondering the depths of joy and gratitude, and the everyday gifts life gives.

Did this book present any special challenges during the writing process? 

The biggest challenge I faced while making this book is the same challenge the girl in the book faces: How do I tangibly communicate this profound feeling that’s bigger than words and beyond my ability to express? I loved that the character and I were on parallel journeys. In the end, metaphor met us when the dictionary ran out. 

What topics does your book touch upon that would make it a perfect fit for the classroom?

I love seeing all the creative ways educators use picture books in their classrooms, and I’ve already been so inspired by how schools are using THIS JOY! 

THIS JOY! fits wonderfully with SEL books and other books about big feelings. While discussing anger, sadness, worry, frustration or loss—I love the idea of including a book about joy and gratitude! The text is a helpful tool in discussions about trying to describe our indescribably big feelings, and creative ways to express them. 

THIS JOY! is also a wonderful companion in discussions about measuring and comprehending the size of the world and the size of our bodies, in both math or social studies settings. And there are so many related crafts to expand the discussion. 

In older classrooms, THIS JOY! is a great resource to practice synonyms, similes, and metaphors. 

Mostly, I hope it makes lots of people experience a moment of joy exactly when they need it.

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