
An oldie but goodie I like to pull out for National Poetry Month. My words inspired by Sharon Creech’s verse novel, Love That Dog, which was inspired by Walter Dean Myers’s poem, “Love That Boy“.
Words count.
All words,
and giving voice to those children
who don’t yet know their power
is to open the world.
Mrs. Stretchberry
knows how to woo her student Jack,
understands how to draw from him
phrases that play with shapes and sounds,
stanzas that speak to the pain
of loss
and love
and memory.
During a school year
where poetry is a regular part of things,
words work deep,
settle,
unfold,
grow
as Jack does
from a boy who thinks
writing poetry is to
“make
short
lines”
to one who finds the courage —
through the structure, voice,
and style of others —
to speak his own.
“Was it like me
when I didn’t think
my words
were
poems?”
Jack asks Mrs. Stretchberry,
and I am firm in the knowing that
teachers reach into lives,
authors speak directly to their readers,
words make impact,
transform,
compel,
demand response
every time
they’re heard.
Poetry is
as sweet as
a dog lolling in the afternoon sun,
is
as painful as
“that straggly furry
smiling
dog
Sky”
hit by a car,
sprawled on the road
“with his legs bent funny,”
taken in a moment from the boy
who’d picked him from the shelter
“with his paws curled
around the wire
and his long red tongue
hanging out
and his big black eyes
looking a little sad
and his long tail
wag-wag-wagging
as if he were saying
Me me me! Choose me!”
It is in the writing down
that loss becomes more than sorrow:
It becomes a touchstone for all who encounter
the memory,
even when it’s not their own.
Poetry is
a balm,
a battle cry,
a picture that says
this is what it means to see.
Some like to debate
the merit of the verse novel:
Is it a collection of poems tied together through story?
A hybrid somehow lesser than?
Words spoken by a blind man long ago?
A tale stripped bare, chopped to pieces for effect?
And yet,
whatever the definition,
there is no denying verse novels
open the way of rhythm,
expose through brevity
true abundance,
give readers room to live in the midst of language
rich and intricate,
stilted,
jarring,
beautiful and barren.
Sharon Creech tells a whole story
in a handful of poems,
accents Jack’s world with authenticity
that would have been lost in a jumble of prose.
Poetry gives
Jack the room to experiment with writing
and pushes him beyond,
allows him to dream
an Important Poet cares —
lets that dream come true
when Walter Dean Myers,
true poet
who inspires Jack’s bravest work,
walks into Jack’s fictitious world
and takes notice of the boy who
Loves That Dog.
This is lovely, Caroline. A poem inspired by a verse novel! I especially love these lines of yours:
“And yet,
whatever the definition,
there is no denying verse novels
open the way of rhythm,
expose through brevity
true abundance,
give readers room to live in the midst of language
rich and intricate,
stilted,
jarring,
beautiful and barren.”
I should definitely read LOVE THAT DOG again, for Poetry Month.
Stay safe!
Thank you. I reread is in order! All best to you (and your future verse novel).